Tuesday 29 March 2022

Nigerian Writer & Critic EMMANUEL IDUMA Announced As Winner Of $165k Windham Campbell Prize for Non-Fiction 2022!

Windham- Campell 2022 10th Anniversary Winners
(l-r: Sharon Bridgforth, Emmanuel Iduma, Margo Jefferson, Wong May, Siphiwe Gloria Ndlovu, Tsitsi Dangaremba, Winsome Pinnock and Zaffar Kunial)

Today Tuesday 29 March 2022, the Windham-Campbell Prizes have announced this year’s recipients including Pulitzer prize-winning Margo Jefferson, the trailblazing playwright Winsome Pinnock, and PEN Pinter prize-winning Tsitsi Dangarembga, marking the 10th anniversary of one of the world’s most significant international literary awards.

Winners List

- Tsitsi Dangarembga (Zimbabwe) – fiction

- Siphiwe Gloria Ndlovu (Zimbabwe) – fiction

- Margo Jefferson (United States) – nonfiction

- Emmanuel Iduma (Nigeria) – nonfiction

- Winsome Pinnock (United Kingdom) – drama

- Sharon Bridgforth (United States) – drama

- Wong May (Ireland/Singapore/China) – poetry

- Zaffar Kunial (United Kingdom) – poetry

For the past decade, this major global prize has recognised eight writers annually for literary achievement across fiction, nonfiction, poetry, and drama, at every stage of their careers. With total prize money now exceeding $14m USD.

Each recipient is gifted an unrestricted grant of $165,000 USD to support their writing and allow them to focus on their work independent of financial concerns.

Mike Kelleher, Director of the Windham-Campbell Prizes, said: “Across ten extraordinary years, the Windham-Campbell Prizes have celebrated exceptional literary achievement and nurtured great talent by giving the precious gifts of time, space and creative freedom. 
We are proud to mark our 10th anniversary with the most exciting list of recipients yet. 

Led by a trailblazing group of global women’s voices, these writer's ambitious, skillful, and moving work bridges the distance between the history of nations and a deeply personal sense of self.”

More when you continue..

For Fiction, this year’s recipients are two Zimbabwean writers, Tsitsi Dangarembga and Siphiwe Gloria Ndlovu, who both explore their country’s history within their work. 

Dangarembga is a multi-award-winning novelist, playwright, filmmaker, and activist, whose debut novel Nervous Conditions was the first book to be published in English by a black woman from Zimbabwe and was named by the BBC as one of the top 100 books that have shaped the world. 

In September 2020, the same week as her novel This Mournable Body was nominated for The Booker Prize – Dangarembga was arrested during peaceful anti-corruption protests in Zimbabwe’s capital Harare, charged with intention to incite public violence: she remains on remand. 

Siphiwe Gloria Ndlovu – who credits Dangarembga amongst the Zimbabwean authors who have inspired her work – was recognised with the Barry Ronge Fiction Prize for her sweeping debut exploring the colonial experience, The Theory of Flight, which sketches, through the lives of a few families and the fate of a single patch of ground, a nation’s history.

In Nonfiction, the Prize has rewarded Pulitzer prize-winning cultural critic, academic, journalist, and writer Margo Jefferson, lauded for her critically acclaimed biography, On Michael Jackson, and National Book Critics Circle Award winning memoir, Negroland, examining Black and white privilege. 

Nigeria’s Emmanuel Iduma, essayist, novelist, photographer, and art critic, has also been awarded a Windham-Campbell Prize for his work, including part travelogue, memoir, poetry collection, photo essay A Stranger’s Pose, which traces his travels around Africa and closes the gap between memory and imagination. 

Iduma’s deeply personal memoir on the aftermath of the Nigerian civil war, I Am Still with You, will be published next year.

For Drama, London’s award-winning playwright, dramaturg, and the first black British female writer to have a play produced by the Royal National Theatre, Winsome Pinnock, has been recognised. Described as ‘the godmother of black British playwrights’ Pinnock’s extraordinary canon of work offers a mesmerising and unflinching journey through British history, identity, and culture, exploring issues such as poverty and police brutality, immigration and enslavement. Alongside Pinnock, Doris Duke Performing Artist and institution in American theatre, Sharon Bridgforth, is celebrated for her abstract theatrical jazz and performance literature, steeped in the captivating storytelling of the Black South and infused with ritual, interaction, and community.

In Poetry, two very different writers have been selected: British born poet Zaffar Kunial and the distinctively experimental Wong May. Born in China, raised in Singapore, and now living in Ireland, Wong May’s career spans more than six decades, with her most recent collection – the tender and wrenching Picasso’s Tears – appearing after a literary absence of more than forty years. 

Zaffar Kunial’s debut anthology Us was published to much acclaim, nominated for both the Costa Poetry Award and TS Eliot Prize, tracing the roots of language to explore his sense of self, heritage, and cultural identity.

Previous African recipients include Namwali Serpell (Fiction, Zambia/United States, 2019), Jennifer Nansubuga Makumbi (Fiction, Uganda/United Kingdom, 2018), Helon Habila (Fiction, Nigeria, 2015), Teju Cole (Fiction, United States/Nigeria, 2015), Aminatta Forna (Fiction, United States/Sierra Leone, 2014), Zoë Wicomb (Fiction, South Africa, 2013), and Jonny Steinberg (Nonfiction, South Africa, 2012).

The Prizes were the brainchild of lifelong partners Donald Windham and Sandy M. Campbell. The couple were deeply involved in literary circles, collected books avidly, read voraciously as well as penning various works.

For years they had discussed the idea of creating an award to highlight literary achievement and provide writers with the opportunity to focus on their work independent of financial concerns. When Campbell passed away unexpectedly in 1988, Windham took on the responsibility for making this shared dream a reality.

The Prizes are administered by Yale University’s Beinecke Rare Book & Manuscript Library, and nominees for the Prizes are considered by judges who remain anonymous before and after the prize announcement. Recipients write in the English language and may live in any part of the world.


About Emmanuel Iduma

Emmanuel Iduma is a Nigerian writer, editor, and photographer. The co-founder of Saraba (2009-2019), a non-profit literary magazine dedicated to publishing emerging writers in Nigeria and other parts of Africa, Iduma is also the author of two books, the novel The Sound of Things to Come (2016) and the nonfiction work A Stranger’s Pose (2018). A Stranger’s Pose blends several genres—memoir, photo essay, and travelogue—to evoke the rhythm of Iduma’s wanderings around the African continent. We follow him from Rabat to Yaoundé to Addis Ababa and back again. With each section, the book provokes and resists expectations of linearity, moving forward only to loop back, leaping ahead only to pause and linger. Again and again, Iduma draws our attention to what is absent, or odd, or unfamiliar. He considers photographs of dead relatives, drafts of unsent emails; he observes, with great care, how people walk, what they wear, and how they talk. Like Emerson’s “transparent eye-ball,” Iduma achieves a kind of unselving; nothing, he discovers, is too small or too strange for his notice. “The gift I received,” he writes, “was the freedom to come to terms with my own estrangement.” His essays and art criticism have been published in Granta, the New York Review of Books, Aperture, n+1, and Artforum, among other places. I Am Still with You, his memoir on the aftermath of the Nigerian civil war, is forthcoming from Algonquin (US), and William Collins (UK) in March 2023.

Iduma on receiving the award;
‘It was a stunner, and still is, to be informed of the award of a prize of such magnitude and pre-eminence, to be listed alongside many writers I look up to. I am filled with gratitude to the Beinecke Library and remain keen with hope for the paths now made possible for me to tread.’

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